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Considered an original graphic, they are produced as multiples. The artist draws on the surface of a limestone block (traditionally) or metal alloy plate (contemporarily), with a grease pencil or "touché", where he would like his image to appear. The surface is dampened with water and oily ink is rolled over the drawn areas. The ink clings to the greasy marks, but not to the dampened areas. Paper is applied to the stone and the ink is transferred from the greasy, inked areas. Each color in the print requires a separate stone or plate and sometimes as many as fifty stones or plates are used. For additional printmaking terms go to ARTinaClick.com
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